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What if we told you that French prog metal band Anthropia has written an epic composition that is inhabited by blacksmith dwarves, mocking sprites, mercenary barbarians, a talking horse, a cunning succubus, and seaweed-intolerant dragons (among other creatures) in a cross-dimensional fictional plotline? Still chuckling? Well, stop, because the mastermind of Anthropia, Hugues Lefebvre (nickname Hugo), is reviving the rock fantasy genre and ups the ante with the explosive, multi-layered first installment of a planned trilogy -- The Ereyn Chronicles: Part I: The Journey of Beginnings, based on the writings of Quentin Borderie.

The CD you are listening to Part I: The Journey of Beginnings, which buzzes with flashes of Iron Maiden’s gritty conceptual metal, Dave Mustaine/Megadeth lightning-speed riffing, Dream Theater’s sweeping storytelling, Yngwie Malmsteen’s neo-classical minor-scale mining, The Lamb Lies Down On Broadway-era Genesis atmospherics, Kansas’ busy symphonic boogie-rock, classical guitar beauty and flair, and Rush’s dark ‘70s sci-fi/fantasy explorations.

Simply put, Anthropia’s classical-metal-prog hybrid enraptures the listener in a world of sound, vision, and imagination. In classic prog-rock long-suite fashion, The Journey of Beginnings opens with “Welcome to Ereyn” -- a visual-aural overture surveying the entire Ereyn epic. “I really am more of a classical guy than a metal guy,” Hugo admits. “I’m proud of the record: I don’t like filler tracks,” Hugo says. “I prefer a record that is 30 minutes with only five songs, than a 60 minute-CD with filler. Hopefully, I’ve put together a record that listeners will sit an listen to uninterrupted.”